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My first visit to New Orleans coincided with a Sargent exhibition at the New Orleans Museum of Art. Along with a lavish (and crowded) display of floral arrangements and table settings (which didn't come off nearly as superficial as it sounds), there were the Wertheimer portraits. Of Sargent's work, I was most familiar with reproductions of Mme. Gatreau's portrait(s) and the Phelps portrait, but hadn't been in a room with any Sargents at all, so I really did not know what to expect.
The Wertheimer paintings are of a grand scale, the figures life-size or better, with a richness and depth of texture that make the faces appear flushed with moving blood. A family of dark-haired, pale-skinned beauties, the Wertheimers (especially the women) float toward the viewer, gaslit and low-cut and vividly amused. I fell in love, quite literally, with the long-dead Ena W., (the image, here, doesn't show up, but if you click to "step closer" it pops up) whose elegant throat looks real enough to taste of tuberose and sweat, the velvet across her bosom as plush as anything tactile. I have a catalog from the show, which has surprisingly good reproductions, but I have discovered over the years that seeing the real thing usually makes any reproduction an object of derision or even disgust (the reproduction here is terrible, fwiw).
Back to Madame X.
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I once spent a fruitless half-hour in Barney's New York trying to get a saleswoman to help me choose a lavender T. LeClerc powder so that I could emulate Sargent's most famous model. It was important to the saleswoman to understand which painting I was talking about for some reason, so I sketched the pose out on a tissue with an eyebrow pencil and the she did, finally, recognize the artwork in question. However, she found my request so peculiar and unnerving that she adamantly discouraged me from buying a $50 tin of powder ("Is this for a costume party or something? No?"). It's possible--and likely, actually--that she thought I was insane and that my check would bounce.
I have a few iconic images that, for better or worse, represent ideal women to me: Madame X., Louise Brooks with her pearls, and the Avedon photo popularly known as Dovima and the Elephants. I'm not talking about their accomplishments or personalities, or even other images of these same women. Just these three pictures.
I do not have Madame X's proud, pointy nose, but I do have hair to be put up and very pale shoulders; I think I see next year's Halloween costume. If I do decide to be Madame X, I shall resist the urge to wear horns anyway.
Well, I asked her not to nicely, but she's defying me. That stinky
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People who are nice and sent me things in mail (e- or snail):
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no subject
Date: 2004-01-01 09:19 pm (UTC)Also, thank you for the rec--even if it was quite begrudging. ;)
Can I be a bridesmaid at the nuptuals between you and
no subject
Date: 2004-01-01 09:39 pm (UTC)The rec isn't begrudging. I'm just afraid I'll be the only one of my close friends still writing in this fandom...don't leave me!
You could totally be my matron-of-honor. You can wear whatever you want. I'll probably wear a 1930s nightgown. We'll all get our hands hennaed and I'll definitely want red feet like a Biblical whore. Of coruse, Jacyn hasn't agreed to this yet, but I don't see why she'd object.
no subject
Date: 2004-01-01 09:52 pm (UTC)I won't leave you! I have unfinished business in SV!
And the paintings? Why yes, I've seen Madame X and others. Fucking gorgeous. Fucking genius.
no subject
Date: 2004-01-01 10:05 pm (UTC)As long as you don't leave permanently, I will try not to be too resentful of your new dalliance.
Jacyn is lucky to have us available to decide her future for her. Less bother for her that way.
no subject
Date: 2004-01-02 08:35 am (UTC)In news of utter synchronicity, I dreamt last night that you and I were shopping for pink 1930's nightgowns and got into a fight about a particularly lovely pink one with cream lace. How weird is that?
no subject
Date: 2004-01-02 12:33 pm (UTC)Your dream makes me happy. So happy that you can even have the nightgown. I want one of those ice-blue ones with the ecru lace, anyway.
no subject
Date: 2004-01-01 09:55 pm (UTC)no subject
Date: 2004-01-01 10:07 pm (UTC)no subject
Date: 2004-01-01 10:21 pm (UTC)no subject
Date: 2004-01-01 10:09 pm (UTC)no subject
Date: 2004-01-01 10:53 pm (UTC)I have fantasies of doing a NE tour...I haven't seen any major East Coast cities (um, unless you count Orlando, which I most certainly do not!)
no subject
Date: 2004-01-02 12:08 am (UTC)No fair, I wanna be the future Mrs. Velvetglove. Fine. Hurt me. I'll just have to content myself with hitting on you. Oh and instead of sending Clark and Lex thoughts to rhiannonhero, can I instead whine that I can't see the story? No? Okay then.
W. Graham Robertson doesn't sound familiar to me in respects to Oscar Wilde. I'll look around though, I'm curious now. Oscar was my main hobby my junior year in college.
no subject
Date: 2004-01-02 12:30 pm (UTC)I'll tell Rhi that she needs to make that post public. It's a good story and deserves a bigger audience.
I'm just taking the info about Robertson from some art texts. It could be total bullshit, or the connection could be tenuous.
no subject
Date: 2004-01-02 01:30 pm (UTC)Thanks for the link to Rhi's story, I'll read it right now. Especially since I fully believe that Gale and Randy need to get married.
Well they were around at the same time, and in the same circles. Since they were both artists as well as if Robertson was gay, then he probably went to the same house Oscar did for rent boys. It's an interesting idea, how interconnected those guys were. Much like how Hollywood is run now.
I'll look anyway, I'm curious, and if I can come up with a name in common, it'll be something to add t my Oscar obsession.
go read it
Date: 2004-01-02 12:55 pm (UTC)